la page de jfm sur cargo collective
Centrale nucléaire de Saint-Laurent-des-Eaux (Loir-et-Cher),
vue depuis Avaray sur la rive droite de la Loire.
A noter :
PÉRIGUEUX D'APRÈS NATURE
un livre de Placid et Marc Pichelin
dédicace & expo-flash
le vendredi 27 février - 17h/21h
Galerie Arts Factory
27 Rue de Charonne,
75011 Paris, France
bio :
(Avezzano, Italy, 1977)
She graduated in Contemporary Art in Rome. After working as an exhibition curator, she turned to teaching Literature. Since 2012, she has explored the strictly manual dimension of writing by practicing various forms of illegible script. Executed primarily on small-format paper, her works capture the oscillations of the hand, embodying an expressive urgency liberated from semantic constraints.
Lioconcha hieroglyphica is a species of saltwater clam, a marine bivalve mollusc in the family Veneridae, the venus clams.
The shell of Lioconcha hieroglyphica reaches a maximum length of about 42 mm. The shape of the shell is trigonal with a truncated posterior. The anterodorsal margin is acutely rounded. The linule is elongated and heart-shaped. It has tan to dark brown rod-like and angular markings, often with the appearance of cuneiform or hieroglyphs. The markings may be the result of a diffusion-mediated chemical cellular automaton, like Conus textile's
Karla Van Vliet is a poet, artist and Integrative Dreamwork analyst. Her newest books are She Speaks in Tongues (Anhinga Press,) a collection of poems and asemic writings, and Fluency: A Collection of Asemic Writings (Shanti Arts.) She is a Forward Prize, a three-time Pushcart Prize, and Best of the Net, nominee. Her poems have appeared in Acumen, Poet Lore, Green Mountains Review, Crannog Magazine and others. Her paintings have been featured in Women Asemic Writers, UTSANGA.IT, Still Point Art Quarterly, Stone Voices Magazine, Champlain’s Lake Rediscovered, and Gate Posts with No Gate: The Leg Paint Project, as well as WAAVe Global Gallery: Women Asemic Artists and Visual Poets 2021, and GRAPHOS - International Sample of Asemical Writing. You can find out more about her work in interviews at The Journal of Radical Wonder, GAS: Poetry Art and Music, and Naokofujimoto’s Working on Gallery. She is a co-founder and editor of deLuge Journal, and founder of Van Vliet Gallery.
Merci à Alain Corne, qu'on peut retrouver sur la bande-son
du numéro 2 de la revue Olga.
et déjà paru sur ce blog :
liens :
The Malahide road was quiet
„I usually set off on my literary rambles from the fictitious universe of Joyce’s Ulysses. On my way, with the fragrance of musty Central European cosiness in my nose, I pick up the partly or completely finished, reusable linguistic and visual objects and fragments I find. In recent times, I have also been stealing special time-stamped messages, their language and communication situations from social media platforms as well as the technology of meme factories. Taking them out of their context, I completely arbitrarily transform them to the means and/or raw materials of my linguistic/visual games.” Péter Abajkovics